Selasa, 27 November 2012

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  • Binding: Paperback

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Minggu, 25 November 2012

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Anne Frank - the biography, by Melissa Muller

For people all over the world, Anne Frank, the vivacious, intelligent Jewish girl with a crooked smile and huge dark eyes, has become the human face of the Holocaust. Now in paperback, here is the highly acclaimed first biography of the girl whose fate touched the lives of millions. Drawing on exclusive interviews with family and friends, on previously unavailable correspondence, and on five diary pages long kept secret, Melissa Muller has created a nuanced portrait of her famous subject. This is the flesh-and-blood Anne Frank, unsentimentalized and so all the more affecting. Full of revelations, Muller's book casts new light on Anne's relations with her mother and solves an enduring mystery: who betrayed the families hiding in the annex just when liberation was at hand? An indispensable volume for all those who seek a deeper understanding of Anne Frank and the brutal times in which she lived and died.

  • Published on: 1999
  • Binding: Library Binding
  • 330 pages

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[Q908.Ebook] Download Flight, Volume FourFrom Kibuishi, Kazu (EDT)

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Flight, Volume FourFrom Kibuishi, Kazu (EDT)

A full-color graphic anthology of short stories by some of the hottest creators in the field, FLIGHT, Volume Four is the newest addition to a great success story in graphic novel publishing.

Since 2004, when the first Volume of Flight burst on the scene, the publication of subsequent volumes has become a highly anticipated annual event. Artists are constantly contacting Kibuishi (the editor of the Flight volumes and himself a contributor), asking to be included in the next volume of Flight. So it's no wonder Flight has ascended so rapidly in the graphic novel universe, becoming a fan favorite and developing a rabid following. Each contributor's story in the anthology represents a labor of love, and that fact shines through in the overall quality of the series.

“With truly stellar art from masters of the field, this fantasy anthology is a must for comics connoisseurs and a delight to readers who like pretty stories.” Publishers Weekly on Flight, Volume Three (Starred Review.)

  • Sales Rank: #642724 in Books
  • Brand: Kibuishi, Kazu (EDT)
  • Published on: 2007-07-10
  • Released on: 2007-07-10
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.23" h x .82" w x 6.67" l, 1.79 pounds
  • Binding: Comic
  • 352 pages

From Publishers Weekly
Even as the Flight anthologies grow larger—this volume has about 80 pages on its immediate predecessor—there is still so much good material it never feels like too much. Many of the stories are silent and depend on the cartoonist's ability to tell fluid and accessible narratives by pacing their stories with extreme delicacy. Fortunately most of the cartoonists meet this demand, notably the opening Castaway by Michel Gagne as well as N by Phil Craven. The stories that do feature dialogue have an inviting, warm feeling to them, an appreciated effect considering how many stories here there are to read. To Grandma's by Clio Chang has the most fun with the power of childhood dreams and fantasies. The Forever Box by Sarah Mensinga takes childhood as a major theme, as do many of the selections; its mix of imagination and humanity is a great example of what the Flight books work so well. As the reader nears the end, after so many varied stories, a comic like Twenty-Four Hours by Andrea Offerman bursts out with wild images never seen before. Flight Volume 4 is good to the last drop. (July)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
The fourth opulent Flight anthology showcases 30 stories by mostly young, animation-influenced artists. If it doesn't soar quite as high as its predecessors, many of whose standout contributors have moved on, it still features plenty of top-notch talent. Highlights include another installment of animator Michael Gagné's saga of the plucky young fox Rex, Amy Kim Ganter's manga-derived tale of an epic clash between a fish seller and a clam seller, Sarah Mensinga's story about a girl who escapes grief via a magic box that can stop time, Johane Matte's delightful depiction of a comically jealous Egyptian cat, Clio Chang's media-age updating of Red Riding Hood, and Andrea Offermann's surreal account of what appears to be the end of the world by means of elephant attack and aerial invasion. In most of these stories, plots are minimal, and many are wordless. The collection's substantial appeal lies primarily in the impressive variety of often stunning artwork, presented in full color that ranges from the thoughtfully subtle to the vividly lush. Flagg, Gordon
Copyright © American Library Association. All rights reserved

About the Author
Kazu Kibuishi was 24 years old and working full-time in the animation industry when he began developing the idea of doing Flight. He began contacting his friends in the animation, comics, and graphic novel world to see if they would want to join the project. Little did he know that it would draw him into comics full-time. He now works from his home studio in Pasadena, California, creating and promoting Flight and his popular young adult comic Daisy Kutter, which was nominated as an American Library Association Best Book for Young Adults -- the only graphic novel on the list in 2005.

Most helpful customer reviews

6 of 8 people found the following review helpful.
Taking Flight
By Tony Medeiros
Flight is one of those great reads. They have become a regular appetite of mine since they were created 4 years ago. Book your flight today, because this volume is a bang for your buck. The greatest known and unknown comic illustrators are here. This tome is a keeper in any bookshelf.

5 of 7 people found the following review helpful.
Fun to read--very enjoyable
By Armchair Interviews
Flight 4 is the fourth book in the flight series. These books are anthologies of stories told through the use of comic format. Each of these collections showcase young, innovative artists, with the intent to create stories that are fun to read for both the seasoned fan of comics, and those readers new to the format.

Flight 4 continues this tradition. Out of the series, the stories in this anthology really make the reader think about their storylines, and are quite introspective. The short stories included cover a wide range of subjects that are varied in style and tone. The book contains twenty-five stories by twenty-six talented artists and storytellers.

A few of my personal favorites from this Flight collection are: Food from the Sea by Amy Kim Ganter, The Window Makers by Kazu Kibuishi, Dinosaur Egg by Raina. Each of these stories plays with the ideas of the power of imagination, the joy of finding your own strengths and weaknesses, and the fun of discovering new things and ideas.

I've been a fan of the Flight collections since reading Flight Volume 3. I'm most impressed with this current collection and look forward to future flight collections.

Because, as the folks over at Flight Comics believe, reading comics should be fun and Flight 4 is defiantly a fun and thought provoking read.

The artists who contributed stories to the book are: JP Ahonen, Graham Annable, Neil Babra, Bannister, Vera Brosgol, Scott Campbell, Pascal Campion, Joel Carroll, Cleo Chiang. Phil Craven, Ryan Estrada, Michel Gagné, Amy Kim Garter, Thomas Herpich, Azad Injejikian, Kazu Kibuishi, Jon Klassan, Sarah Mensinga, Fabio Moon, Ovi Nedelcu, Andrea Offermann, Lark Pien, Dave Roman, Israel Sanchez, Raina Telgemeir, and Joey Weiser.

Armchair Interviews says: Check out all 4 in the series.

3 of 4 people found the following review helpful.
Another Great Anthology
By c5
I think this might be my favorite Flight book so far, overall. As in the previous volumes, the stories and art styles vary dramatically. Each story is very short, but these comics are worth reading slowly or more than once to enjoy the excellent artwork and all the imagination involved.

These aren't traditional comic book-style comics, and they aren't newspaper-style comics (though I think that some belong in the same general category as older newspaper comics such as those by Winsor McCay). It just seems clearly evident that the artists in these books love what they are doing, and I hope that the series continues to be successful so that more will get a chance to do so in this ideal format.

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Sabtu, 24 November 2012

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The Accidental, by Ali Smith

The Accidental is the dizzyingly entertaining, wickedly humorous story of a mysterious stranger whose sudden appearance during a family’s summer holiday transforms four variously unhappy people. Each of the Smarts–parents Eve and Michael, son Magnus, and the youngest, daughter Astrid–encounter Amber in his or her own solipsistic way, but somehow her presence allows them to se their lives (and their life together) in a new light. Smith’s exhilarating facility with language, her narrative freedom, and her chromatic wordplay propel the novel to its startling, wonderfully enigmatic conclusion.Ali Smith’s acclaimed novel won the prestigious Whitbread Award and was a finalist for the Man Booker Prize, the Orange Prize, and the James Tait Black Memorial Prize.


From the Trade Paperback edition.

  • Sales Rank: #125758 in eBooks
  • Published on: 2007-04-10
  • Released on: 2007-04-10
  • Format: Kindle eBook

Amazon.com Review
Before writing The Accidental, Ali Smith wrote Hotel World, shortlisted for both the Orange Prize and the Man Booker Prize, and several short story collections. Her work is absolutely original, with a trademark quirky style, with whole passages that seem to have been bound into the wrong book and occasional historical asides completely outside the narrative line. Don't be fooled; with Smith, every word has a purpose.

Amber is the catalyst who makes the novel happen. She appears on the doorstep of the Smart's rented summer cottage in Norfolk, England, barefoot and unexpected. Eve Smart, a third-rate author suffering writer's block, believes that she is a friend of her husband's. Michael is a womanizing University professor, but he doesn't usually drag his quarry home. He thinks that she must be a friend of Eve's. Everyone is politely confused and Amber is invited to dinner. She is a consummate liar and manipulator who manages to seduce everyone in the family in some significant way.

Magnus, Eve's 17-year-old son from a former marriage and Astrid, her 12-year-old daughter, are easy prey. Magnus is in despair. He played a prank on a classmate and it went horribly wrong when she killed herself because of the humiliation it caused. He cannot shake the guilt and is about to hang himself from the shower rod when Amber walks into the bathroom, the perfect deus ex machina. She bathes him and takes him back downstairs, announcing that she found him trying to kill himself. Everyone titters. Could it be possible? This is a recurring question as Amber's behavior becomes more and more outrageous. Is this really happening, or is it some family-wide delusion? To add to the mystery, there is a Rashomon-like character to the story in that the same events are recalled by the Smarts through their own filters.

This is a completely engrossing novel that raises as many questions as it answers. --Valerie Ryan

From Publishers Weekly
Heather O'Neill plays Amber, a mysterious stranger who wangles her way into the lives of a vacationing English family spending the summer in a remote cottage. O'Neill reads with studious detachment and a persistent air of mischief, as if the entire story is a particularly juicy practical joke. Given Amber's predilection for wreaking havoc in her new adopted family's comfortably misguided lives, the emotion is supremely apropos. O'Neill is joined by a cast of performers, including Ruth Moore as the perpetually harried, perpetually preoccupied Eve, who spends all her time dreaming of the characters of the latest historical novel she's writing, and Stina Nielsen as Astrid, a 12-year-old with a frightening imagination and a propensity for recording the world on her video camera. The bulk of the book, though, is read by O'Neill, who provides a suitably nuanced reading, at times placid, at times flashing an air of free-floating menace. It is her work, above all, that brings Smith's novel to fully fleshed existence.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From The New Yorker
Smith's book, which has just won Britain's Whitbread Novel Award, concerns an attractive stranger who shows up on the doorstep of an unhappy family and is unquestioningly taken in. The visitor, armed with a perfect combination of candor, free-spiritedness, and rough love, proceeds to manipulate each of her hosts. Just as abruptly, and, perhaps, predictably, she disappears. We never learn much about her—her only purpose, it seems, was to jolt the family members out of their respective messes—and her righteous self-assurance can get tiresome. But the novel is saved by its skillful and touching rendering of the mental state of each family member. Smith's well-honed, even obsessive prose gives a feeling of eavesdropping on her characters' innermost thoughts.
Copyright © 2006 The New Yorker

Most helpful customer reviews

5 of 5 people found the following review helpful.
Whoops-a-Daisy
By Mark Eremite
It's no secret that writers, especially the literary kind, are known for wearing their works like masks, slipping their hands puppet-like into characters and mugging for their audience: they may not be as smart, attractive, or popular as their characters, but the authors certainly share the same opinions.

In "The Accidental," it's not hard to figure out who author Ali Smith wants to be (or is). She's Amber, a sort of stochastic herbal essence, an earth-flavored, barefoot, dandelion wine of a woman who flounces in a figurative free-fall into the core of the book, twirls about with mad abandon and reckless sexiness, and disappears with just as much speed and consequence. She puts dirty thighs on Heisneberg's uncertainty principle and drops the drawers of chaos theory, manhandling the nuts and bolts inside.

Okay, I'm sorry, I'll be less poetic, even I think Smith herself would appreciate such an out-of-the-lines description. Smith's writing is equally unfettered, and for people who like the idea of meandering through prose the way you might meander through a lovely (and creepy) forest, "The Accidental" is something to cuddle up to. The whole novel reads like one long word game, and even if that means the seriousness of its import is sometimes smeared aside, it also means that for people who love the English language, well, there's plenty here to enjoy.

But that import. Let me not forget the import.

The story is about the family Smarts. Eve is a struggling writer, Michael is an oversexed professor, Magnus is a tortured teen with a secret, and Astrid is a identity-challenged female (one of those thirteen-year-old daughters that cannot accurately be called either girl, woman, or even young lady). Their problems aren't particularly astounding or new, and in many cases, it's hard to sympathize with them, since their troubles are self-brewed and administered (or, in the case of Astrid, normal enough to be boring).

Amber doesn't sympathize with them either. She appears one day at their summer cottage and their lives begin to change. She manipulates and motivates them in the same way any good author drives and directs her characters. The only difference here is that the characters are aware of the manipulation. Step aside, Priandello. Smith's gonna show you a thing or two.

It works in fits and starts (much in the same way that the metaphorical character names are simultaneously profound and heavy-handed), depending on who you sympathize with. I found myself most closely drawn to the adolescent Astrid, but only because her pre-teen angsts were so accurately set up and then so cleanly knocked down. Magnus's shackles of misery and his subsequent liberation I found clever but overdrawn. Eve's self-doubts and dramatics were powerfully done, but ultimately watered down. And Michael, well, the man may well have not existed in the book. As an English professor, some of his sections manage to have the most interesting writing and yet still say the least out of anyone's. Perhaps that's the point.

The book shows us the same things in four different ways, and it's entertaining in the way of jugglers and Rubik's Cubes. It's ultimately the point of the novel that gets in the way, its drive to be something serious. Eve's section ends with a sort-of back-loop to what started the novel, and it's far too cute for the book's own good. She tries to learn and emulate Amber, the novel's catalyst, and although Smith suggests it leads to redemption, I have my doubts.

Because, although Amber is certainly an intriguing character, she is ultimately a marionette with about four strings too many. The book is occasionally punctuated with brief Amber vignettes; related primarily to movies, they are supposed to give us a glimpse into Amber's genesis and upbringing in a world of celluloid and Act 3 miracles, to show us where her free-spirited anarchy found its first birth, and to explain -- in some small measure -- why (or how) this strange woman alters the lives along her seemingly uncharted path. It's Smith's way of bear-hugging the character, of petting her fondly by the fire of her soul.

It's a little patronizing, but it's also understandable. Amber is any author's dream -- something mysterious and sexy, a controlled explosion. Smith wants to use her to teach us something, and even if I didn't feel particularly educated after her exposure (can you guess if the Smarts get smarter?), I did enjoy myself. That part probably wasn't an accident.

5 of 5 people found the following review helpful.
Great virtuosity, small flaws
By wbjonesjr1
I come down on the side of those who see great things in this book. Yes there are some weaknesses: eg. I'm sure Smith could have found more effective and direct ways to make anti-Iraq War statements, and I agree with those that find the poems in the middle gimmicky. In my opinion, Smith creates four great characters and four captivating and emotionally powerful motifs whereby "Amber" shakes each one of them up. Each situation individually and collectively build up considerable tension. And I thought the prose was quite beautiful. All in all, I think what made me admire this book is that I found literary virtuosity where others found pretension. I will look forward to Smith's future books and will not be surprised if one turns out a classic

4 of 5 people found the following review helpful.
Nothing accidental about it, except maybe Amber
By H. Thompson
A family on holiday in a rural county northeast of London is so self-absorbed that they don't realize that they've let a complete stranger into their home. This is the premise of Ali Smith's 2005 novel, The Accidental. The first chapter begins in the first person voice of Amber MacDonald, the stranger; she is the only first person voice in the story. Each of the three sections of the book allows the voice of Amber and each of the four people in the family a stream-of-consciousness narration of their thoughts during a stretch of time. The family: Astrid Smart, the twelve year-old daughter who strives to record all of her life on a camcorder; Magnus Smart, the seventeen year-old son haunted by the suicide of a classmate; Eve Smart, the mother and egotistical author of bad fiction; and Dr. Michael Smart, the step-father and philandering professor; relate their lives in a polyglossic net of third person, present tense episodes. The book moves through time completely within the thoughts of these characters; a modern use of language and structure elements creates a striking, vivid picture of each of their personal crises.
At first look, the characters seem flat, almost stock characters, floating around, too self-centered to notice each other. Astrid's prepubescent musings are whimsical but hardly philosophical; Magnus's depressive, obsessive repetitions are tiresome. Enter Amber. Almost immediately, she saves Magnus from bathroom suicide, becomes the singular obsession of Michael, and gains the trust of Astrid. Amber is the center of conflict in the novel, and the catalyst for the change of each of the family members. While she drives the conflict, however, it would be difficult to say that she is the book's main character--each of the characters brings their own unraveling story to the book, and amazingly, Smith does justice to each of them. Michael, the cliché of the philandering professor, even seems to become self-aware--losing his egoism in the realization that his life is a stereotype. In the only break from stream-of-consciousness style writing in the text, this realization is related in sonnet, free verse, aabb and abab poetry form in the words of Michael.
Because the narration is almost exclusively the stream-of-consciousness presentation of the thoughts of each individual character, the narration does little for exposition beyond what is apparent to the characters. When the characters return home from their vacation at the end of the novel, their house has been stripped entirely empty of everything except the answering machine. It is never discovered what actually transpired to cause this, but Eve suspects that it is Amber's doing. This and other intentional ambiguities add to the mystery of the novel. As epiphanies are reached and characters change their perspectives, the reader must choose which perspective to take on the turn of events, based on the different realities of each of the characters.
One of my favorite elements of the text is the relation of current events to the lives of the characters. At one point, toward the end of the book, Eve is reflecting on some disturbing images recently released from Abu Gharib prison in Baghdad. The picture is a familiar one to the minds of most contemporary Americans, and the description of her reflection on the pictures is probably similar to a fairly recent experience many readers have had. It remains to be told whether this will simply make the book seem outdated in later years, but having snippets of what is still a current situation throughout the text creates a solid sense of a modern setting.
Conventions of devices and structure exist to promote unity and harmony in a text. The Accidental lacks the conventions of dialogue, capitalization, sentence structure, character structure (antagonist vs. protagonist), exposition, punctuation, and use of a single narrator. All these things aside, however, the book still exists as a unified text. The ending of the book is (without being a spoiler) very satisfactory, the text seems harmonized and even one further--believable. There is very little extraneous material, sans one piece: the first person musings of Amber. Amber seems to ramble about little connected with the action of the novel, and her first person narration is completely false. Amber claims to be everything she isn't, and gives absolutely no insight into her character. This is not to say that the book would be any better if the reader knew what Amber was thinking; in fact, it would definitely detract from the intended ambiguity and mystery of the text. However, her parts were rambling, nonsensical, and the author might have done us one better by simply leaving them out. Fortunately, Amber's input is short and the development of the other characters makes up for her extraneous babble.
The unconventional style of Smith's novel is quite successful in telling the story of a pivotal year in the life of the Smart family. The modern structure creates ease of understanding of the characters and their surroundings, and allows the author, in a relatively short text, to relate not one, but four complete stories.

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9 Habits of Highly Effective Teachers: A Practical Guide to Personal Development (Practical Teaching Guides), by Jacquie Turnbull

Teachers' performance levels are now benchmarked within a global context, and they need to ensure their own personal and professional development keeps pace with the ever-increasing needs of the students they teach.

This edition is updated in line with the latest policy and research developments, and reflects the shift in emphasis from didactic teaching to developing and leading the learning. It offers a greater emphasis on continuing professional development, more case studies to illustrate a variety of approaches to teaching, a new further reading section and includes a companion website containing additional exercises and downloadable training resources.

9 Habits of Highly Effective Teachers provides practical guidance on personal development to inspire professional effectiveness, and is invaluable reading for all teachers who want to continue to progress for the sake of their students and colleagues.

  • Sales Rank: #2515591 in Books
  • Brand: Brand: Bloomsbury Academic
  • Published on: 2013-08-15
  • Released on: 2013-08-15
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.56" h x .58" w x 5.43" l, .70 pounds
  • Binding: Paperback
  • 256 pages
Features
  • Used Book in Good Condition

Review
[On the first edition:] This book shows teachers how they can become personally and professionally empowered in order to inspire others. The inclusion of reflective exercises and case studies is designed to make it easy for teachers to relate to their own situation. Headteacher Update [One the first edition:] This book is thoughtful, informative and encouraging. The Teacher Training Journal

About the Author

Jacquie Turnbull has been a secondary teacher, an HE lecturer and a trainer specialising in improving teachers' personal and professional effectiveness. She has been Deputy Chair of the General Teaching Council (Wales) and Chair of an FE College in the UK. She is currently Director of a company specialising in profiling to improve professional effectiveness. Jacquie also received an MBE in 2011 for her work in education.

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Sabtu, 10 November 2012

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Is your dog afraid of strangers? Would he rather hide than play with other dogs? Does he take cover at the sound of thunder, or cringe when you pick up a brush or nail clippers? Never fear! Whatever your dog is afraid of, this comprehensive guide to the treatment of canine anxiety, fears and phobias can help. Topics include learning how to read your dog's stress signals; how your attitude affects your dog's behavior; how to set up a Firm Foundation program at home; how to establish leadership so your dog will feel more secure; the influence of good nutrition and regular exercise on your dog's fear issues; four essential skills to teach, and how to apply them in everyday life; and much more. Written by a professional trainer/behavior consultant of over 20 years who specializes in fear issues, the book includes easy-to-follow, step-by-step behavior modification programs that really work. 15 specific fears are addressed, including those of people, other dogs, sounds, touch, nail-clipping, riding in the car, and being left alone. Get advice on products and cutting-edge complementary therapies that can help to calm your cautious canine. Filled with photographs, illustrations, and over 400 pages of specific, immediately useful advice, written in a down-to-earth and humorous style.

  • Sales Rank: #458336 in Books
  • Brand: Brand: Phantom Publishing
  • Published on: 2006-08-06
  • Number of items: 1
  • Binding: Paperback
  • 432 pages
Features
  • Used Book in Good Condition

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60 of 61 people found the following review helpful.
Comprehensive Advice for Owners of Fearful Dogs
By Mychelle Blake
There are few books out there that assist owners with shy or fearful dogs, which can be one of the most frustrating and heartrenching behaviors for dog owners to deal with. This new book provides a wealth of information - from detailed tips on how to work with a variety of fear issues (noise, objects, thunder, etc.) to suggestions on "alternative" therapies such as using Dog Appeasing Pheramone, homeopathic remedies, Anxiety Wraps, pharmaceutical intervention, and much more. I highly recommend this book to owners of fearful dogs and to dog trainers/shelter workers/rescuers who regularly deal with shy and fearful dogs.

83 of 88 people found the following review helpful.
THE book to buy for help with those fearful/shy dogs!
By Janice Mitchell
I highly recommend this book! I've been involved with Sheltie Rescue for 12 years, and we rehabilitate puppy mill dogs and unsocialized dogs which are always afraid of anythng and everything. Also, I co-teach a class for shy/fearful dogs at our local Humane Society. This is the first book I have found that covers EVERYTHING needed to know to work with or help these dogs! Plus, it's an easy read and humorous!

92 of 101 people found the following review helpful.
It seems ok...
By RarelyReviews
The other reviews gave me such high hopes about this book and maybe my expectations were too high to be honest but I'm not overly impressed so far. There's nothing really wrong with the book but it covers so many subjects that I felt details were skipped that should have been included and still I'm going to struggle to help my dog. The chapters that refer to particular fears are too short and are less about helping to correct the problem than they are about the background to the problem itself. Also the book says it can be read cover to cover or simply used as a reference book by users skipping to relevant chapters. That is not so. Really you need to properly read the first few sections before you skip to the section about your particular problem. Really it's no trouble to read around the subject but why does the book claim to be able to be used in this way??

On the other hand I think her advice is solid and there is certainly useful information in there, particularly if this is the first time you've even thought about trying to help your dog in this way!! I'm absolutely going to give it a go but I wish I had a little more guidance from the book that i purposely bought to offer myself guidance. In this review I want to point out the bad things about the book rather than list all the good things and there are already so many excellent reviews!!

On a side note, I was unimpressed with the author's habit of subtly (you probably won't notice it unless you've read the books by the authors that's she's doubting) belittling other noted dog experts within the book. This was unnecessary and a little petty. Surely most of the people she indirectly belittled are doing good work too and so if Wilde and the other authors are all striving for the same goals, only doing so in different ways, then surely mocking their theories only serves to taint the industry a little bit more.

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Al Parker: Illustrator, Innovator

  • Published on: 1600
  • Binding: Hardcover

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