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Mozart: His Character, His Work (Galaxy Books), by Alfred Einstein
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Written by one of the world's outstanding music historians and critics, the late Alfred Einstein, this classic study of Mozart's character and works brings to light many new facts about his relationship with his family, his susceptibility to ambitious women, and his associations with musical contemporaries, as well as offering a penetrating analysis of his operas, piano music, chamber music, and symphonies.
- Sales Rank: #885431 in Books
- Published on: 1965-12-31
- Original language: English
- Number of items: 1
- Dimensions: 8.00" h x 1.02" w x 5.31" l, 1.45 pounds
- Binding: Paperback
- 512 pages
Review
"Not simply an illuminating and informative book but a lively and fascinating one....The clearest, most vivid, and most credible picture known to this reviewer of this most 'universal' of musical geniuses."--Roger Sessions, The New York Times Book Review
From the Back Cover
The publication in paper covers of Einstein's classic study of Mozart's character and works will be welcomed by all who wish to learn more about one of the greatest musical geniuses of all time.
About the Author
The late Alfred Einstein was a reknowned music historian and critic.
Most helpful customer reviews
32 of 34 people found the following review helpful.
One of the essentials in Mozartian scholarship.
By Joseph C. Murray
One should be fairly familiar with the life of Mozart before embarking on this book. Full of technical insights, it gives the reader some idea of what was going on in the composer's mind. Chapters which talk about Mozart's compositional influences and the factors which helped cultivate his musical consciousness are particularly informative. I highly recommend this book to anyone who is rather familiar with the story of the man and wants to understand why he was so great.
20 of 20 people found the following review helpful.
A Delight for Mozart Lovers
By David Adams
Trans by Arthur Mendell and Nathan Broder. Three-quarters of Einstein's book is given over to a discussion of the works in layman's terms. Einstein had the knack of being able to write for the masses yet keep the attention of the musical scholar. I see it as one of the classics on Mozart's works for everyman. His biographical secion at the beginning is charming as well. Overall, a delightful treat for Mozart lovers, a MUST read. He opens his text with "There is a strange kind of human being in whom there is an eternal struggle between body and soul, animal and god, for dominance." You know you are in for a good time.
8 of 8 people found the following review helpful.
To K 626 and Beyond
By Bernard Michael O'Hanlon
Alfred Einstein oversaw K3, which was the first overhaul of Köchel. He was a scholar who was grounded in Nineteenth Century German Humanism. This book is the product of his lifelong interest in Mozart. Purchasing it does not entail a visit to the Valley of the Dry Bones where only desiccated scholars draw sustenance; it was written for the Common Man or Woman.
Part of this book is antiquated. Recent scholarship has overhauled our understanding of Mozart's creative process. Similarly, the chronology of many works as advanced by K3 has been revised, not least by Alan Tyson Mozart: Studies of the Autograph Scores. If you purchase Einstein's book, be mindful that Chapter 8 'Fragments and the Process of Creation' is outdated.
There is a difference between truth and fact. We still profit from Einstein's knowledge and his deep love of Mozart. There is no better depiction of Mozart as an Eighteenth Century composer, a man among men. Words often falter when applied to music. Thankfully Einstein is the master of the analogy; what else can one use to encompass such a demi-god? Mozart's organic growth as a composer is well traced. Again and again, he imparts illumination.
There are sunspots: Einstein underrates the E Flat Major Concerto - K 482, the Queen of the Realm; he famously neglected to include the Haffner Serenade; he also stands staunchly in the anti-Constanze camp (the poor woman was incessantly pregnant during the eight year marriage); his review of the Clarinet Quintet - one of the wonders of the world - is somewhat underwhelming. Nor am I convinced that Mozart should be labelled the "most Catholic of composers" - to wit, his espousal of Freemasonry (and a certain guy called Anton Bruckner has stronger claims).
Even so, every page will deepen your understanding "of the miracle that God allowed to be born in Salzburg." [Leopold Mozart] This book is a classic. Come Judgement Day, it will still be in print.
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